Who's behind the news?
Who's behind the news?
1.5.2
Newsjunkie.net is a resource guide for journalists. We show who's behind the news, and provide tools to help navigate the modern business of information.
Use of Data
1.5.2
1.5.2
The Indian Memory Project (IMP) is an online archive founded in February 2010 by Anusha Yadav, a Mumbai-based photo-artist and editorial designer who trained at the National Institute of Design, Ahmedabad. Yadav initially launched the project as a blog; it quickly attracted wide attention from press and public audiences and grew through crowdfunding and patron contributions. It is widely described as the world's first online visual and narrative archive tracing personal identities and histories of the Indian subcontinent through family photographs.
IMP collects, contextualises, and publishes photographs and personal narratives sourced from the private albums and family collections of individuals across the Indian subcontinent and its diaspora. The archive covers the period roughly from the late 19th century through the post-independence decades, with themes including Partition, migration, education, marriage, religion, sports, women's empowerment, and social transformation. Each entry pairs a photograph — predominantly in sepia and black-and-white — with a keyword-tagged narrative provided by the contributor. The project has been cited in approximately 43,000 academic papers and is included in university curricula worldwide.
IMP documents the visual culture of the Indian subcontinent at a popular level, including photographs from newspaper archives, studio portraits, and documentary images that illuminate how journalism and public communication evolved across the region during the colonial and post-independence periods. A sub-project, Cinema Citizens, traces the origins of the Indian film industry through archival images and personal narratives, providing a resource for media history researchers.
The archive is freely accessible online. Images and texts may be read and shared as links; reproduction requires prior written permission from the respective rights-holders. The project is ad-free and operates without institutional funding, relying on personal funds and patron support. There is no permanent physical location.